Coffee Break
By Tim Cross
It¹s five after ten on a Wednesday morning in
late October. The leaded glass sky is an artist¹s study in
the many shades of gray, and the trees along the highway, just starting
to turn orange and red, are muted and blurred by a light rain and
the somber weight of clouds. It seems colder than it really is.
I¹ve just visited a woman in a nursing home in Valley Falls,
Kansas. Too young to be there, she lives in her own version of October
-- without the trees, the moving clouds, the hints of color -- a
perpetual autumn of bare walls and industrial grade floor tiles.
Eight miles and a gas stop later, I stop in at a cafe in Nortonville
to shake off the chill. Right on the main street, it¹s almost
unnoticeable, except for the neon beer sign and handwritten lunch
menu in the window. I push several times on the quirky door handle
and go in.
It¹s not very crowded this time of day. A young waitress and
five or six older women sit at a round table near a wall covered
with a large assortment of rustic farm implements, chatting and
catching up on the news. Across the room, three men sit in a booth
and talk business.
The cafe is called Mike¹s Place, but it should probably be
called Mike¹s Wife¹s Place, unless this guy Mike is into
antiques and plastic knickknacks. The decor is an odd but somehow
harmonious mixture of competing elements, an expression of the women
who work here and the men who eat here. Bordered farm-and-tractor
wallpaper, glass Mason jars, nostalgic Coca-Cola memorabilia, a
pair of white figure skates, a child¹s cowboy boots, and a
collection of ornate coffee cans, are offset by a flashy poster
of a Coors beer babe, displaying the required quota of cleavage,
and a brightly colored electric Budweiser sign, installed above
the counter.
I slide into a booth in my own section of the room and check out
the menu. It¹s comfortable in here, and I¹m glad to be
down the road a few miles, but I still feel a shiver or two from
the wet weather outside. Pulling up the collar of my denim jacket
to get warm, I make eye contact with the waitress as she heads into
the kitchen, and she seems a little surprised by the presence of
someone else in the cafe.
According to the Bud Light clock on the wall three booths down,
it¹s eleven thirty-two. It¹s funny how slowly time moves
in small towns. In Lawrence, we turned our clocks back an hour on
Saturday night, but in Nortonville, it¹s still Daylight Savings
Time. I get the definite impression that Mike¹s wife will get
around to changing the clock when she damn well feels like it.
The waitress approaches and takes my order. It doesn¹t take
long to get my food and a cup of coffee. I¹ve been looking
forward to a good cup of java to thaw me out, but unfortunately
the coffee has a slight soapy taste. On the other hand, the biscuits
and gravy are surprisingly tasty, even if they have been microwaved
without mercy. It¹s not a bad meal for under two bucks. I¹ll
tip the waitress a dollar, since she is really good about keeping
my coffee cup full, whether I really want her to or not.
Eating slowly, I stay as long I can, still trying to get warm, then
pay my tab, and walk out to my car. After backing out on the empty
brick street, I drive around the corner past the faded-into-powder-blue
Farmer¹s Coop, the auto repair shop, which has its garage door
open even on this cold day, and the aluminum-sided Knights of Columbus.
I make a couple of stops and turns, and find my way to the rainy
two lane highway that heads drearily south to Oskaloosa and Lawrence.
The wet road whooshes by, and my windshield wipers make a squeaking
sound, like the rubber tires on a wheelchair in an empty hallway.
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Tim Cross
Tim Cross was born in Hot Springs, Arkansas and
grew up in Pittsburgh, Pennsylvania. Currently living in Lawrence,
Kansas, he is a free lance writer, jazz guitarist, composer, and former
adjunct instructor of music at Baker University and Johnson County
Community College. He graduated from the University of Toronto and
the University of South Dakota, and lived in Vermillion, SD and New
Orleans before moving to Lawrence, where he and his wife, artist Pennie
Dubisar-Cross have lived since 1989.
Cross¹s writing appears regularly in JAM, a magazine covering
the jazz scene in Kansas City. Other recent projects include a short
novel, poetry, essays, short stories, a one-act play, and an article
on Kansas City jazz guitarists.
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